Dorothy Donegan

 Happy Birthday Dorothy Donegan 1922-1998...Trained as a classical pianist, Donegan was an eclectic virtuoso who played stride, boogie-woogie, bop, swing and classical piano styles, sometimes all in the same chorus. She started piano lessons at the age of 8 in her hometown of Chicago, taking lessons from Alfred M. Simms and later, Walter Dyett (who also taught Dinah Washington, Gene Aamons and Von Freeman among others).

She made her first recordings in 1942 and was sensational in the film "Sensations of 1945" with Cab Calloway but didn't catch on. She was popular, however, in the clubs around her native Chicago. She became a protege of Art Tatum who called her, "the  only woman who could make me practice." Donegan would say of Tatum, "(He) was supposed to be blind...I know he could see women."

She was the first African-American to perform in Chicago's Orchestra Hall in 1943. She said of her performance, "In the first half I played Rachmaninoff and Grieg  and in the second I drug it through the swamp-played jazz." But despite her prodigious talent she remained in obscurity, releasing only 6 largely ignored albums from 1954-1963. It would not be until the 80's that she would receive notice in the jazz world with the release of a recording done at the 1987 Montreux Jazz Festival at the age of 65. Her recordings from that point on until her last in 1995 would continue to receive critical acclaim.

Most critics who saw her would say that to experience her as a performer she was best seen live. She had a flamboyant style, often dancing while she played, twisting into contortions, while she combined spontaneous medleys of unrelated songs in several different styles all at once. A New York Times critic said of her, "her flamboyance helped her find work in a field that was largely hostile to women. To a certain extent it was also her downfall; her concerts were often criticized for having an excess of personality."

Donegan made no bones about speaking out against the sexism she experienced and felt that her insistence on being paid the same as male musicians had limited her career. She received an American Jazz Master fellowship from the National Endowment of the Arts in 1992 and an honorary doctorate from Roosevelt University in 1994. She died of lung cancer in 1998.